2 Awake, psaltery and harp: I myself will awake early.
2 Awake, H5782 psaltery H5035 and harp: H3658 I myself will awake H5782 early. H7837
2 Awake, psaltery and harp: I myself will awake right early.
2 Awake, psaltery and harp, I awake the dawn.
2 Awake, lute and harp: I will wake the dawn.
2 Wake up, harp and lyre! I will wake up the dawn.
2 Give out your sounds, O corded instruments: the dawn will be awaking with my song.
Awake, awake, Deborah: awake, awake, utter a song: arise, Barak, and lead thy captivity captive, thou son of Abinoam.
Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings.
I will praise the name of God with a song, and will magnify him with thanksgiving.
Take a psalm, and bring hither the timbrel, the pleasant harp with the psaltery.
IT IS A GOOD THING TO GIVE THANKS UNTO THE LORD, AND TO SING PRAISES UNTO THY NAME, O MOST HIGH: To shew forth thy lovingkindness in the morning, and thy faithfulness every night, Upon an instrument of ten strings, and upon the psaltery; upon the harp with a solemn sound. For thou, LORD, hast made me glad through thy work: I will triumph in the works of thy hands.
Worthy.Bible » Commentaries » Keil & Delitzsch Commentary » Commentary on Psalms 108
Commentary on Psalms 108 Keil & Delitzsch Commentary
Two Elohimic Fragments Brought Together
The אודך in Psalms 108:4 and the whole contents of this Psalm is the echo to the הודוּ of the preceding Psalm. It is inscribed a Psalm-song by David , but only because it is compiled out of ancient Davidic materials. The fact of the absence of the למנצח makes it natural to suppose that it is of later origin. Two Davidic Psalm-pieces in the Elohimic style are here, with trifling variations, just put together, not soldered together, and taken out of their original historical connection.
That a poet like David would thus compile a third out of two of his own songs (Hengstenberg) is not conceivable.
This first half is taken from Ps. 57:8-12. The repetition of confident is my heart in Psalms 57:1-11 is here omitted; and in place of it the “my glory” of the exclamation, awake my glory , is taken up to “I will sing and will harp” as a more minute definition of the subject (vid., on Psalms 3:5): He will do it, yea,his soul with all its godlike powers shall do it. Jahve in Psalms 108:4 is transformed out of the Adonaj ; and Waw copul . is inserted both before Psalms 108:4 and Psalms 108:6 , contrary to Psalms 57:1-11. מעל , Psalms 108:5 (as in Esther 3:1), would be a pleasing change for עד if Psalms 108:5 followed Psalms 108:5 and the definition of magnitude did not retrograde instead of heightening. Moreover Psalms 36:6; Jeremiah 51:9 (cf. על in Psalms 113:4; Psalms 148:13) favour עד in opposition to מעל .
Ps. 60:7-14 forms this second half. The clause expressing the purpose with למען , as in its original, has the following הושׁיעה for its principal clause upon which it depends. Instead of ועננוּ , which one might have expected, the expression used here is וענני without any interchange of the mode of writing and of reading it; many printed copies have ועננו here also; Baer, following Norzi, correctly has וענני . Instead of ולי ... לי , Psalms 60:9, we here read לי ... לי , which is less soaring. And instead of Cry aloud concerning me, O Philistia do I shout for joy (the triumphant cry of the victor); in accordance with which Hupfeld wishes to take התרועעי in the former as infinitive: “over ( עלי instead of עלי ) Philistia is my shouting for joy” ( התרועעי instead of התרועעי , since the infinitive does not admit of this pausal form of the imperative). For עיר מצור we have here the more usual form of expression עיר מבצר . Psalms 108:12 is weakened by the omission of the אתּה ( הלא ).